Milano Design City 2020: the exhibitions not to be missed
Over three hundred events including exhibitions, installations, workshops, showroom openings and much more. This is also how Milan returns to being the capital of creativity. Or at least he tries, with all his might. Until 10 October, the streets of the Milanese city host Milano Design City: a sort of autumn design week (even if technically it lasts two weeks) designed to support the made in Italy furniture, this year orphan of the Salone del Mobile, and at the same time relaunch Milan as a reference point for the culture of design. Among the many initiatives on the calendar, here are the exhibitions not to be missed.
On the cover:
armchair by , 1978, Atelier Mendini. Picture by Gianluca Di Ioia.In the hands of women
In the picture: Thammada, installation site specific by
In the image: Oak, Adriana Lohmann for Slide For Life
Superstudio puts female creativity between art, design, architecture and craftsmanship at the center of its programming. It does so with “In the hands of women”: an exhibition project consisting of two complementary exhibitions. “I fiori della materia”, curated by Gisella Borioli, brings together designers and architects of different ages and backgrounds who present their work with objects of furniture, sculpture and architecture. “Fragile Narcisi”, on the other hand, by Sabino Maria Frassà, is an in-depth study on the beauty and precariousness of human existence.
Where: MyOwnGallery, Superstudio Più, via Tortona 27 bis
Memphis. The color of the objects
Forty years ago Ettore Sottsass and a group of young architects, including Michele De Lucchi, Alessandro Mendini and Andrea Branzi, revolutionized the idea of designing with the Memphis group. A great cultural phenomenon of the Eighties to which the School of Design of the Istituto Marangoni dedicates the exhibition “Memphis. The color of objects ".
Where: Marangoni Milano Design Institute, via Cerva 24
Totem and taboo or the world upside down
In the setting of Palazzo Recalcati, the cultural platform Hoperaperta presents the exhibition "Totem and taboo or the world upside down". This is a collection of installations and objects conceived as unique pieces that reinterpret the relationship between totemic figures and aesthetic taboos in the contemporary world, between the structure of everyday objects and the imagery of the work of art. A project curated by Patrizia Catalano and Maurizio Barberis which sees the participation of eight authors.
Where: Palazzo Recalcati, via Amedei 8
Tropical Milan
Picture by Ofer Kantor.
Veganism, sustainability and global warming are at the heart of Tropical Milano: an immersive installation by Israeli designer Erez Nevi Pana. Housed in the courtyard of Cesare Correnti 14, in the 5Vie district, it takes the visitor into a jungle-like environment to tell about problems such as extreme humidity and the invasion of mosquitoes, explain the damage caused by the wrong monoculture and show sustainable objects made with materials such as banana leaves or bamboo.
Where: via Cesare Correnti 14
Triennale of Milan
In the image:
by 1969 . Picture by Gianluca Di Ioia.Italian design is told by those who live it every day. This is the Triennale Milano project, which until 9 October offers a series of free visits to the Museum of Italian design, led by exceptional guides: Joseph Grima, museum director; Chiara Alessi, critic and curator; Marva Griffin, creator and curator of the Salone Satellite; Cristina Morozzi, critic and curator; Gabriele Neri, teacher; Fabio Novembre, architect and designer; Italo Rota, architect and designer.
Where: Triennale Milano, viale Alemagna 6
We are nature
Curated by Rossana Orlandi and housed in the cloister of the Leonardo da Vinci National Science and Technology Museum, "We are nature" by Planet Farms is a narrative and experiential journey with the aim of telling what vertical farming is and explaining its benefits for the man and nature.
Where: Leonardo da Vinci National Science and Technology Museum, via San Vittore 21
Article written for Mohd and signed by Ilenia Carlesimo, La Repubblica contributor journalist.
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